|Guozijian Street Beijing, photo LG|
|Reflected blossoms, near Nanluoguxiang, Beijing, photo: LG|
|Motor-cycle taxi, Dashilar, Photo: LG|
|Old shool beng beng taxi, Photo L|
|Hutong, Dashilar, photo: LG|
|Washing drying in the lanes, Beijing, April 2017, Photo: LG|
|Beijing rooftops through a hutong window, Photo: LG|
My top 5 Beijing highlights:
1. Qiu Anxiong, 'New Book of Mountains and Seas Part III' at Boers-Li Gallery - immersive, completely extraordinary. Qiu has created a dystopic universe with just enough connections to the present-day to make it thoroughly terrifying. So immersive that I sat through the entire video twice. Part II was a central element of White Rabbit's 2016 exhibition, 'Vile Bodies'. Here Qiu talks about his work for the exhibition at New York's Metropolitan Museum in 2013: http://www.metmuseum.org/metmedia/video/collections/asian/qiu-anxiong-ink-art
2. Wang Yuping at Tang Contemporary - a remarkable painter whose work I had not seen before. His series of paintings of the intersection near Jingshan Park is so characteristically Beijing that it would make you weep with nostalgia. And how lovely to discover that he taught my good friend Gao Ping at CAFA, and is a beloved professor. The exhibition 'Jingshan Hill' is divorced from current fashion and theoretical discourse and is all the better for it.
3. Tai Xiangzhou at Ink Studio - a stunning exhibition called 'Speculative Cosmologies' - the curator says: Working in the literati mode, Tai spent years copying and mastering classical compositions and brushwork. He focuses on the landscapes of the Song Dynasty (960-1279), considered a Chinese golden age for both pictorial and astral arts. Speculative Cosmologies features select examples of Tai’s classicizing style, including Mountain of Heaven, a virtuosic rendition of a Song monumental landscape as a screen—a format charged with cosmological significance; Cosmic Symphonies, an elaboration of a celebrated 13th-century album depicting different aspects of water; and Microcosm-Macrocosm, a primordial landscape without organic life generated from a miniature scholar’s rock. Lovingly and intimately antiquarian, these paintings also ask, speculatively and counterfactually, what a Song landscape would be if it encompassed the vastly expanded scope of contemporary knowledge and experience. http://www.inkstudio.com.cn/exhibitions/24/overview/
4. Liu Di at Pekin Fine Arts - new directions in the work of this interesting artist, whose digital works of large-bottomed animals plonked in the courtyards of Beijing apartments have been shown at White Rabbit Gallery in Sydney. http://pekinfinearts.com/en/exhibition/liu-di-break-with-convention/
5. An exhibition of new directions in the work of young artists, both Chinese and international, at Ullens Center for Contemporary Art (UCCA) - still with a cloud hanging over its future and no buyer in sight - presented tiny enclosed spaces with lots of video.Highlights here were the futuristic imaginings of Cui Jie - and in China they're not much of a stretch - and a stunning, ambiguous installation by Ma Jianfeng. Here's an interesting article featuring Cui Jie - and Lu Yang who I will write about in a later post: Where Next? Imagining the Dawn of the Chinese Century
Apart from that, the skies were blue and clear, my wanderings in the remaining hutongs were a delight (even though I still cannot persuade my husband to love Beijing), you can now get excellent coffee all over the city, and it was great to be back in a place that I have come to love like a second home. I visited the studios of Xiao Lu, Ma Yanling, Yu Hong and Bingyi, and spoke with Tao Aimin at Egg Gallery and Ink Studio in Caochangdi.
|With Xiao Lu and her exciting recent ink works in her studio, Beijing, April 2017|